I want to tell you about this book, which many of you have already read; but some of you have not, and perhaps for reasons similar to mine, which I would like to talk you out of:

(image from Target.com)
Eleanor Oliphant Is Completely Fine, by Gail Honeyman (
Target link) (
Amazon link).
This is a book that was recommended to me many, many, many times. Several people recommended it on the Books Worth Buying post, but Claire pointed out that something very bad/traumatic happens to children, which could violate this thing I said when asking for recommendations: “and nothing where a major plot point is the abuse and/or traumatic death of an animal or child—unless somehow the author pulls it off, and there ARE books where that happens,” and that is probably why I didn’t add it to my To Read list at the time.
For me, this was one of those books where the author did pull it off. But I want to tell you my actual reasons for not reading the book even when I saw it recommended all over the place, because I had forgotten ALL ABOUT Claire’s warning when I finally read it.
The first reason is the cover, which communicates that the book is being marketed as Chick Lit. I read a lot of books marketed as Chick Lit, and a lot of them are great—and a lot of them are what I will kindly refer to as “fluffy.” Another reason is the title, which is whimsical; another reason is that the name of the main character is deliberately over-charming and not right for her age. These things are not absolute deal-breakers, but they are common signals that I am not going to like the book. The whole package reminded me of Evvie Drake Starts Over, another VERY RECOMMENDED book, which I finally tried, and it was an absolutely competently-written book by someone who had decided to write a book, and I didn’t catch the magic of it at all.
But the thing that REALLY kept me from reading it before now was the description on the inside front cover, which, like the description on the inside front cover of A Prayer for Owen Meany, was so off-putting to me that I almost couldn’t even make myself TRY the book, FOR FREE, from the library:
Meet Eleanor Oliphant: she struggles with appropriate social skills and tends to say exactly what she’s thinking. Nothing is missing in her carefully timetabled life of avoiding unnecessary human contact, where weekends are punctuated by frozen pizza, vodka, and phone chats with Mummy.
But everything changes when Eleanor meets Raymond, the bumbling and deeply unhygienic IT guy from her office. When she and Raymond together save Sammy, an elderly gentleman who has fallen, the three rescue one another from the lives of isolation that they had been living.
So, absolutely not. This is a movie starring Zoe Deschanel or Maggie Gyllenhaal as Eleanor, and Chris O’Dowd or the serious version of Will Ferrell as Raymond. They will be beautiful people dressed as nerds, charming people being charmingly awkward, and we will get to know their separate lives a bit, and then they will meet awkward-cute and have an awkward-cute relationship, probably bumping into each other awkwardly and losing their glasses and so forth, and a charming old man with twinkling eyes will be involved. I’m out.
Okay, but finally TOO MANY people had talked about the book, and then Hello Korio recommended it and said it reminded her of Fredrik Backman books, which I generally love, so FINE: I will read it if only so I could say “Nope, I tried it, not for me.”
Well, and of course I loved it. LOVED IT. It was EXTREMELY MY THING. I totally agree that it’s like Fredrik Backman, especially the one with Britt-Marie and the one with Ove, where you start by thinking the person is so unpleasant you don’t want to read about them at all, and then after awhile you find yourself succumbing to their charms and to the charms of all the wonderful imperfect lovable human beings around them. (If you never got the magic of Britt-Marie or Ove, Eleanor Oliphant may not be your thing either.) Or it’s like the TV show Schitt’s Creek, where everyone tells you to PERSEVERE through the first season where you hate everyone, to get to the part where you only hate Roland.
And, as Hello Korio points out, there is an unreliable narrator thing going on—and it’s the kind I LIKE, where the narrator is unreliable to THEMSELVES in a way where YOU start thinking “Wait…wait a minute here…” and feel smart for noticing. The book gradually REVEALED ITSELF to me as a totally different book than I’d thought it was, and I felt amazed by it, and I enjoyed the whole thing, and I liked everyone, and I want MORE BOOKS ABOUT THESE PEOPLE.