I accidentally started two trilogies at the same time, one of which changed mid-trilogy from a trilogy to a series. Both have turned out to be the kinds of books I keep wanting to get back to, instead of doing what I am supposed to be doing.
First I read The Book of Koli, by M.R. Carey, but my library doesn’t own the second and third books so I had to order them from another library.
While I was waiting, I started reading Gideon the Ninth, by Tamsyn Muir—a book I didn’t expect to like or finish, because it looked very Y.A. and the cover reviews mentioned bones and violence and “grotesque horror.” I thought I would just get it out of the way while I was waiting for the rest of the Koli books.

(image from Amazon.com)
Why, you may wonder, was I trying the book at all. It was because Paul had, in one of those internet rabbit-hole situations that started, if you can fathom it, with the “none pizza left beef” meme, found the book’s Wikipedia page and thought the “Style” section sounded like maybe we should get it for Henry for Christmas. But we already had enough books for Henry for Christmas so I got it out of the library for him, and he wasn’t interested but I thought I’d try it and see if I wanted to recommend he change his mind.
![Gideon the Ninth is notable for its writing, which mixes gothic horror with contemporary humor. Muir acknowledges that her writing "includes useless memes and jokes for the reader that nobody in my universe would get."[5] In her review for Vox, Constance Grady commended Muir's ability to slide her "voice seamlessly from Lovecraftian gothic mode into a slangy contemporary mode without ever undercutting one or the other for cheap comedy."[6] Adam Rowe in Forbes also commented on Muir's incorporation of "2019 language tics." In Rowe's interview with Muir, Muir said that the "irreverent tone" was intended "to balance out the horror aspect and some of the heavier, more Gormenghastian stylings."[7] Jason Sheehan's NPR review said of the novel's genre: "Gideon the Ninth is too funny to be horror, too gooey to be science fiction, has too many spaceships and autodoors to be fantasy, and has far more bloody dismemberings than your average parlor romance."](https://www.swistle.com/wp-content/uploads/2026/02/Screenshot-2026-02-16-at-8.56.44-AM.png)
(screenshot from Wikipedia.org)
I DID like it, despite all the things I generally do NOT like, such as being thrown into a world where nothing makes sense, and where there is a lot of violence, and where fights are described blow-by-blow. Also, almost no one has a normal eye color. There is violet of course, and at least three kinds of grey, and golden, and something called “hurricane” (maybe that’s one of the greys?) and I just can’t adequately express how much I hate that—but it didn’t start until I was over 100 pages in and it was too late for me, and no one looked at themselves in the mirror to muse about their own eye color, so even that was well-handled as far as I was concerned. Like, if we MUST have purple and amber and storm-grey eyes, then let’s at least do it the right way. Also-also, it was in some cases necessary to the plot, so fine, FINE. But seriously, is there any universe in which we can just stop with the eyes.
There is no denying this is a book that includes violence, and confusing world-building, and annoying eye colors. But this is also VERY MUCH a book about characters and relationships and dialogue. For those who would find it relevant to their interests: this book contains the hate-to-love trope, and I felt it was done well rather than stupidly, and that it felt earned rather than contrived. Things never get explicit, and I’m not even 100% sure anything ever Happened In That Way. I have a nibling who likes to read but does not want to read sex stuff, and I would recommend this book to them. I think it would be fully possible to read this book and see only intense emotion and friendship. I think it is likely the author deliberately left some options in there for various kinds of readers.
The cover design amazes me, because while reading the book I went from deeply disliking the cover to LOVING it, and even spending time gazing at it affectionately. Think on THAT! I LOVE to look at that weird skull-faced person now!!
So there we were: I had finished Gideon the Ninth. By then the other two Koli books had come in for me; but also one of my coworkers, upon hearing I was reading Gideon the Ninth, said “If you’re liking it, I recommend getting the next two books right now: the people I know who liked this series REALLY REALLY LIKED IT.” So I’d brought home the next two books. And instead of returning to the first trilogy I’d started, I continued with the second. I read Harrow the Ninth and loved it, and loved the cover. Then I read Nona the Ninth, and learned to love the cover as I’d learned to love the cover of Gideon the Ninth.
Interestingly, the third book was supposed to be a different book. The author describes the actual third book as having “sucker punched” those plans. So now there will be a fourth book in the trilogy! Maybe more!
I should mention that after reading three books in the Locked Tomb series (that’s what the Tamsyn Muir series is called), I still have no idea what the hell is going on. This is what I mean about it being character/relationship-based, deep-down. If I were reading to understand what is going on with the world-building, I would have noped out, and long since. But I have GOT to know what happens with these PEOPLE. And I guess I would like to know what is happening with the war / revolution / deities??? / planetary soul energy???? / etc.
Reluctantly (because I wanted to start reading the next Locked Tomb book instead, which I can’t yet do), I went back to The Rampart trilogy, which is what the M.R. Carey series is called.

(image from Amazon.com)
Within about 15 minutes I was fully back into it. I finished the second book and have started the third, and basically that is my plan for this long weekend, which celebrates nothing I want to celebrate right now.
The Rampart trilogy is post-apocalyptic, where the apocalypse happened in a future one or two big steps ahead of our time—like, more-advanced technology and weapons and science had been developed than when we have now, and then most but not all of the human world fell to ruin. But aside from the better tech, the basic gist is familiar: the world ended because of climate change (described as the cities gradually going underwater inch by inch while politicians stood around and argued with each other about whether or not it was happening) and violence/war, and also by certain scientific advancements that were well-intentioned but turned against humanity (e.g., making trees more resistant to climate change accidentally made them evolve to consume humans and other animals by killing them and mashing their nutrients into the soil around their trunks).
People live in small villages again. There is a problem with villages dying out because their populations are too small for successful continued reproduction. There are diseases that no one knows how to treat anymore. The forests are alive with dangerous genetically-altered vegetation. People find old technology but they don’t know what it’s for and how it works; sometimes someone figures a piece of technology out, and that person is treated like a monarch/godlet. There are new religions that seem based on old religions, but in a way that makes all religion seem freshly strange. Things like that. I’m really enjoying it.
As with the Locked Tomb series, there is plenty of violence and death and hardship and scary things, but there is also a lot of character development and relationships and dialogue. There is a quest, and there is found-family, and there is a lot of stuff that feels PRETTY RELEVANT to our own times and our own issues.