One of the many things I am enjoying about being back at my library paging job is that EVEN THOUGH I like the job, I STILL get to experience that delightful “Oh, yay, it’s Friday!”/”Oh, yay, a day off on Monday!” feeling. This happens even when I spend my day off wondering if I should text my supervisor and see if I can come in anyway because I am just itching to get back to my shelf-shifting project and am jealously wondering if my supervisor might have put one of the OTHER LIBRARY PAGES to work on it, NO, LEAVE IT FOR MEEEEEEEEEEE, IT IS MYYYYYYYYYYY PROJECT!!! (There is a sense in which Swistle is an excellent team-player, and another sense in which she the hell is not.)
Shelf-shifting is, as you might expect, when you shift books on the shelves. Sometimes it means moving them to an entirely new place; but more often, it means distributing them more evenly/sensibly among the shelves where they already reside. In a sense, shelf-shifting happens continually as we’re re-shelving: maybe this week’s new James Patterson book won’t fit on the twenty shelves his books are currently inhabiting, so I have to move another James Patterson book either one shelf back or one shelf forward to make room. But usually the term is used for a larger project, such as when an ENTIRE SECTION (e.g., all the large-print books) has gotten to the point where it no longer makes sense to do the little everyday shifts: you’d try to move one book to the next shelf, but in order to do that you’d have to move a book from that shelf to the next shelf, which would require moving one book from THAT shelf to the next shelf, and so on for ten shelves, just to make room for one book. SO THEN: my supervisor might ask me to shelf-shift an entire section. (Or, if I am at loose ends and have noticed an issue, I might shelf-shift a smaller area without being told.)
When I was presented with this type of task for the first time, I thought I wouldn’t like it: it seemed like boring manual labor. But I LOVE it. It’s so satisfying. You start by looking at all the shelves in the section, and estimating how many blank shelves there are total: like, that shelf is about 1/10th empty, that one’s about 1/10th empty, that one’s 1/4th empty, that one’s 1/2 empty, there are three entirely empty shelves at the end of the section, and so on. Then you divide that among how many shelves are allotted to the section: okay, I have approximately five full empty shelves total, and there are forty shelves in this section; so when I’m done shifting, each shelf should be about 1/8th empty.
But! As you’re shifting, there are some Things You Know. For example, you know you should leave more than 1/8th shelf available in the Patterson section. You know it’s likely Berg and King will need more room over the years, but Grafton and Binchy will not. You know you always have a lot of Baldacci and Hilderbrand and Hannah to reshelve, so leave them space because some of their books are for sure checked out right now, and they’ll need shelf to sit on when they come back. And so on!
And you can make the whole area tidier while you’re at it, which I guess doesn’t sound like fun when I type it out, but remember you are being PAID to do this. And: it happens satisfyingly often that, as I am working, I find a misplaced book: maybe every few shelves, I find one mildly out of place, a book I could easily have found if I were looking for it, but it’s still pleasing to move it a few books to the left or right where it belongs; but maybe once per section, I find one WILDLY out of place, a book that was impossibly lost (a 700s book in the 900s! a non-large-print book among the large-print!), and it’s EXTREMELY pleasing to walk it over to where it belongs and feel it clicking into place—as if a little tracking light has lit up on a book-location map, now that the unfindable book is findable again.
(Are you still reading this??? You may want to consider a job at a library.)