![]() |
| (photo from Amazon.com) |
Pretty Monsters, by Kelly Link. I didn’t know until I went to the listing to get the picture for this post that this is a young adult book. It’s a collection of scary and creepy and weird short stories. I liked them, though a couple were too scary/upsetting for me: young adults wouldn’t be freaked by the parental point of view (“CHILDREN IN DANGER, OH THEIR POOR PARENTS!”) the way I was.
My main complaint was the same as with almost all such books: I wanted the endings to be CLEARER. When endings are fuzzy or uncertain, I feel cheated and frustrated—and I also feel like the storyteller failed to complete the storytelling job. SOME uncertainty is fine: “And when they opened the door, a HOOK was dangling from the handle!!,” for example, is fine and doesn’t need to then explain the whole backstory of the bad guy. But if I finish a story and I don’t even know if the main character is still alive or not, or if the monster was real or not, I get mad. OPEN THE BOX, SCHRODINGER. This collection had some where you get an ending and some where the storyteller sits there smirking at you.
![]() |
| (photo from Amazon.com) |
Children of God, by Mary Doria Russell. This was a sequel; I reviewed the first book, The Sparrow, in another post. I was very, very, very glad that several of you warned me that the sequel would undo one of the major plot events of the first book; if I’d encountered it unwarned, I would have been frustrated and angry, but because I was prepared I didn’t mind much and was even glad.
The sequel continued the religion/society frustrations/insights of the first book. I also continued to be tired of the self-pitying main character, and of the method the author used for laughing at her own jokes (having her characters laugh hysterically at the jokes she wrote for them to say). There were a few things that didn’t make sense to me still (the divided couple didn’t even TRY to communicate with each other?), and there were a few boring sections, and there were a lot of sections where the author was clearly trying to Send A Message. I see reviewers on Amazon objecting to the supposedly miraculous ending, as I did: it seemed simplistic and silly (the equivalent of “Look, reading every twentieth letter of the holy book makes a SECRET CODE!!”), rather than giving me the awed reaction it seemed to think it would inspire.
But I was glad I read the sequel, and I liked reading it, and I liked getting more explanation about what happened in the first book, and about what happened to the characters and why. I’d continue to recommend both books, but I think it helps to go into it expecting some Issues.
![]() |
| (photo from Amazon.com) |
The Taker, by Alma Katsu. This fits well into the “supernatural creatures being emotionally manipulative, physically cruel, and insatiably interested in sex” genre.
![]() |
| (photo from Amazon.com) |
Mom, Jason’s Breathing on Me!, by Anthony E. Wolf, Ph.D. The short version of this book would read: “Separate the bickering siblings as soon as they either start doing damage or start bothering you—but try to let it happen as much as you can stand it. Don’t play judge/jury to sibling fights; refuse to listen to either side; say ‘Stop it, you two,’ not ‘Elliot, stop bothering your sister.'” The long version explains why and gives examples.
I found it very persuasive and have started using some of the tips. But I felt like it only really works for TWO bickering siblings. There was a small section at the back that dealt with larger families, but it basically said, “You’ll do the same thing, but more of it!” Except that’s not true, because in larger families there are ganging-up issues and excluding issues. Still, I felt like I could apply what I read.
![]() |
| (photo from Amazon.com) |
Uninvited Guests, by Sadie Jones. I could describe this as an early 1900s English countryside gothic romance novel, but if I’d seen it described that way I wouldn’t have wanted to read it. Here’s what it’s more like: It starts out normal, with a family from the servants-and-horses era worried about losing their home and having some step-family adjustment issues. Then things start to get a little weird, but you’re like, “…But IS it getting weird? or is this just a little creepy-SEEMING but there is a normal explanation?” And then a long time goes by and you STILL don’t know. And then you start to know.
Meanwhile, it’s FUNNY. There were quite a few parts where I laughed, audibly, not at a joke but at some dryly phrased sentence that just struck me as very, very funny, especially in the setting of all the creepiness and weirdness.
And it’s ROMANTIC, in what seemed to me to be a deliberately predictable way: that is, we weren’t supposed to be surprised, we were supposed to know exactly how it was going to end up—but we were nevertheless supposed to be pleased when it DID end up that way. (And I WAS pleased.)
********
It’s continuing to be fun to give away a copy of one of the books mentioned in the post, so I’m going to do that again this time. For U.S. mailing addresses only, which is kind of sad and excluding, isn’t it? If you’re like me, you don’t really even WANT to win until you find out you’re not eligible and then it seems so brutally unfair. Oh, I’m not a member of YOUR SUPER-SPECIAL COUNTRY so I can’t even ENTER? But if you, like, KNOW someone in the U.S., you could enter and then have me ship the book to them as a surprise present! …Okay, that’s weak consolation.
Anyway, it’s the same as before: you can leave a comment without being automatically entered; if you DO want to enter, just say which book you’d like to win. I’ll draw a name on Friday, July 27th.
[Update: Winner is Lippy!]





