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The Coffins of Little Hope, by Timothy Schaffert. I think it must be very challenging for a male author to write a female narrator, because I so rarely find one I can tolerate to read for more than a few pages. This one was a success. The narrator is an elderly lady who writes obituaries, and she’s not at all creaky, or silly-accented, or full of phrases that are meant to remind you constantly how old she is.
There’s a big fuss in her town when a young girl is kidnapped—WAIT, no don’t turn away yet, if that’s the kind of plot you usually avoid. I usually can’t stand it either, but it wasn’t bad. The main reason is that it’s uncertain if the girl ever existed: there’s no sign of her in the entire house she allegedly lived in: no toys, no clothes, no skin cells or hair strands. The bigger plot is about another family (the elderly woman narrator, her grandson and granddaughter and great-granddaughter) and how they and their town respond to (and exploit) the maybe-yes-maybe-no tragedy and the resulting national fuss.
…I’m making it sound very DRAMATIC, but it’s a laid-back novel, full of interesting little remarks and good dialogue. It reminded me a little of the Muriel Spark books I’ve read. I do wish the ending had been a little clearer, but I nearly ALWAYS wish an ending would be a little clearer, and it wasn’t RANKLINGLY unclear.
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The Green Mile, by Stephen King. I periodically re-read the Stephen King short story collections, but I don’t usually re-read the novels. I have two exceptions: The Stand, and The Green Mile. I have been known to read a Stephen King book and wish someone, ANYONE, had the courage to EDIT him a little for the love of trees, but those two books make me shut my mouth. Sometimes I think of his books as the scary equivalent of romance novels: entertaining fluff, that’s all. But again: these two novels make me shut my mouth. Some of his books ARE entertaining fluff—and others show he’s got a couple of different quality levels available to him. I have a feeling he writes some for fun, and some for serious.
The Green Mile is a great one for a good therapeutic cry. I completely dampened two handkerchiefs at the end there, and felt very happy to be doing so. It’s NOT a horror novel; it’s more like a fairy tale, or a parable, or someone’s real-life testimony of a strange series of events they lived through. There are some bad crimes in it; some are particularly hard to read, but I found them manageable: we mostly hear a summarized report of the crimes from the prison guard narrator, rather than having to read along as the crimes are occurring.
Have you read or seen The Shawshank Redemption (Netflix link)? That’s the only Stephen King movie I’ve ever seen (I didn’t realize it was a Stephen King movie until I read the short story years later), and The Green Mile is similar in many ways: a prison story, this time told from the point of view of a guard instead of a prisoner. I’m tempted to see the movie version of The Green Mile, but I’m also scared to.
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Shutter Island, by Dennis LeHane. I’d already seen the movie, so I knew the plot secrets, so it’s hard to know what I would have thought of the book if I hadn’t. I think it’s a book/movie pairing where I’m glad I saw the movie first, so that then I could read the book without skimming too fast just to get to the answer. One thing that was better about the book was the absence of visual flashes of upsetting child-danger imagery—and of course the absence of Leonardo DiCaprio’s “New England accent.”
Shutter Island is about a pair of federal agents who go to a mental institution to investigate a missing patient who can’t possibly have escaped. From there it’s a “What’s REALLY going on??? Tell me quick or I’m skipping to the last page!!” book. There is a very upsetting part involving drowned children; it’s recounted to us by someone remembering it, but it’s still very upsetting. It makes me uncertain about recommending it.
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Getting It Right, by Elizabeth Jane Howard. My mom and I both really enjoyed The Cazalet Chronicles, but our library system doesn’t have anything else by this author, and most of her books are out of print. So for my mom’s birthday, I had the idea of ordering a selection of used copies online. Then _I_ would get to read them too! Bonus!
So, the book photo above is the one I ordered. And this is the version that arrived:
Yes. Does it or does it not look like every single videotape in the 1980s? (But no, the actual VHS looks like this:
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I’m pretty sure I ACTUALLY remember seeing that cover on one of my main high-school-aged trips to the video rental store. But in those days so MANY videotape covers included a woman’s leg.)
Anyway, the paperback cover calls it a “delightful sexual comedy.” My mother opened this gift while my attention was elsewhere, and then I heard, “Um. Swistle?” Explanation was required.
HOWEVER. We both read the book, and we both really really liked it. It’s this skimpy-looking little paperback, but it’s DENSE. It is NOT a sexy-sexy book, as you might think. I would not at all call it a romp. It is a “sexual comedy” if “sexual” means “pertaining to the sexes”: that is, it’s about relationships and about men and about women, not about S-E-X. (There is ONE scene of S-E-X.)
My mom and I both love Maeve Binchy, and we’ve seen many, many lists of “If you like Maeve Binchy, you’ll like…” books that always turn out to be silly blicky romance novels that leave us thinking “Huh? That’s NOTHING LIKE Maeve Binchy!” But this author, THIS author, reminds me of Maeve Binchy. She also reminds me a little of Muriel Spark: the quiet little interesting insightful remarks. I liked this book a lot, and really wanted to know what would happen to all the characters.
My only complaint was that it seemed like the end suddenly accelerated—like, a deadline or page cut-off was reached. It was like la la la insight, la la la plot furtherance, la la la insight, la la la plot furtherance, la la la OKAY DONE!
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I’m still in the mood for book evangelism, so let’s do another giveaway like before. You can leave a regular comment without being automatically entered; if you’d LIKE to enter, mention which of the books you’d like me to send you a copy of. If you choose Getting It Right, it’s out of print so it’ll be a used copy; the cover…could vary. U.S. mailing addresses only; I’ll pick a winner on Wednesday, August 22.
[Edit: Winner is No Whey, Mama! I’ll email you!]