Since reading An Episode of Sparrows, I have read two more books by Rumer Godden. The first was Five for Sorrow, Ten for Joy. It was surprisingly gritty/modern in parts (a significant portion of plot takes place in a brothel, and in some of the before-and-after circumstances surrounding members of that brothel), and then surprisingly meandering/religious in others. Like, I didn’t measure, but if I had to ESTIMATE what percentage was gritty and/or focused plot and what percentage was nearly-unrelated meanderings about day-to-day convent life, including who was assigned to which daily chores and which saint-day it was, I’d say 30/70. I read the whole thing, but was sometimes unsure why I was still reading. And then one of the major plotlines, which seemed to be building to a book-long Ultimate Plot Confrontation, went utterly unresolved! Just, “Welp, I guess we’ll never know! Okay bye!” Definitely I liked it less than An Episode of Sparrows, and I also felt it did not hold together well. It was like the author got super interested in nuns/convents and just wanted to write about that, but felt she had to incorporate it into a fiction plot, and then couldn’t figure out how to resolve the fiction part.
Then I read The Kitchen Madonna. I would never, ever, ever have chosen this book off the shelf without having been motivated to read more Rumer Godden. Here is the cover:

I mean, absolutely not! But I enjoyed it enormously, and it was similar in some ways to An Episode of Sparrows: quirky interesting children pull off a relatively minor feat that will nevertheless have you breathlessly rooting for them to succeed. And there are illustrations! And by the time I finished the book, I felt so fond of the cover I can’t even express it to you; you will just have to try it for yourself and see if you feel the same way. I do wish Mary weren’t a blonde. And are her eyes blue? Let’s say they are not. This is a book I might want to own, and might want to re-read annually, perhaps near Christmastime, even though it is not Christmassy. The vibe is Christmassy.
In other vintage-media news, William has been working his way through old Halloween/scary movies, and we have joined him sometimes. (Not for The Exorcist, which William described palely as “very medical.”) Last night we watched The Invisible Man (1933), which reminded me of the Disney Sunday Night Movies I enjoyed so much in my childhood (Escape to Witch Mountain! The Cat From Outer Space! The Absent-Minded Professor!). I would have found some parts much too scary back then (lots of invisible throttling, and a Scary Invisible Voice), but I could imagine a version of it where I would have just enjoyed the thrilling special effects. Tonight we watched Werewolf of London (1935) which I found even more enjoyable. There were many genuinely witty moments. Both movies end (spoiler alert!) with the monster (a MAN who has REACHED FOR WHAT MAN SHOULD NOT REACH FOR!!) dying dramatically and conveniently, with Final Words Expressing Regret and Humanity, as well as devotion for The Blonde Love Interest. If I were compiling a list of movies to watch every Halloween, like I do at Christmas, I would add Werewolf of London for sure.






