If you want to join our Summer Classics Reading Club, and why would you, we are currently reading The Three Musketeers, a book I expected to suffer through, but to my surprise I like it very much. You can probably get a copy at almost any library or Goodwill or used book store, or you can order a copy on Amazon for $4 and have it tomorrow without having to leave the a/c, which is the sort of thing that makes Amazon so hard to get away from.
I like sending mail, and I have several friends who like sending/receiving mail. Last night as I was writing a card for a friend, I noticed that the card had cost more than the copy of The Three Musketeers I’d impulsively sent her. Henry and I talked for a few minutes about the possibility of using inexpensive books AS cards. Like, what if you spent $4 on a copy of The Three Musketeers, or Pride and Prejudice, and wrote in it the same thing you were going to write in a birthday card, and sent it to a friend for their birthday? Would that be weird? It’s about the same price as the card, but for the most part we throw away a card after appreciating it for awhile, whereas the book they could get more use out of, if they wanted to, and then could keep it or donate it or otherwise get rid of it just like they do a card. But does it SEEM LIKE A CARD? This is the sticking point. You can send a card to someone without it being in any way “a gift,” but if you use a book as a card, it might indeed be perceived as a gift, and now you’ve set an unintended gift-exchanging precedent. It’s silly, because the card cost more, but this is the kind of thing that can happen.
And of course there’s the matter of shipping. When I impulsively sent a copy of The Three Musketeers to a friend, I didn’t have to pay shipping because I had it sent directly; the card I’m sending her will cost me a 73-cent stamp, so the book is cheaper again. But if I’d had the book sent to myself so I could write in it and use it as a card, it would cost over $4 to send it to her even at the media-mail rate, so then we’re talking DOUBLE the price of a card.
Back to The Three Musketeers. I’d expected a lot of swashbuckling, and I’d also expected it to be hard to read, because it is old and because it is a classic. But Henry said one reason he chose it is that the writing style is supposed to be curiously accessible/modern, and I have found that to be the case—after the usual getting-used-to-it delay of starting any older book. Like, the first few pages were a real struggle, until I got into the swing, or rather the swash, of things. But after that, it hasn’t been hard to read, and I see how it got a reputation for being curiously accessible/modern. There is for example some breaking of the fourth wall, where the author says to the reader, don’t worry, even if this character forgets about this other character and forgets to worry about where he is, WE will not forget, and WE know where he is. And the characters say “Thanks” to each other, which feels oddly modern, and the writing style is arch and confiding and dryly funny in a way that reminds me of Jane Austen. Henry reports that the audiobook is even more accessible, the way Shakespeare can be easier to process when you hear it spoken aloud by people who understand what they’re saying and know what the tone/emphasis should be.
For quite a big chunk of the book, there were NO women, and I was feeling kind of aggressive about that, but then suddenly there were some women, named and voiced and important to the plot. It’s still a very Guy book with lots of Guy stuff about sword-fighting and doing favors for ladies and dying for your monarch and so forth. But instead of finding that boring and annoying as I’d expected, I am, as I think I may have already said twice, enjoying it. It’s silly in a good way—like it’s SUPPOSED to be silly. It’s sword-fighting for people who don’t really like reading about violence and are more interested in the relationships between the characters. Or for people who DO like to read some violence but ALSO like to read about relationships between characters.
